Dr. Lonnie Smith is an unparalleled musician, composer, performer and recording artist. An authentic master and guru of the Hammond B-3 organ for over ﬁvedecades, he has been featured on over seventy albums, and has recorded and performed with a virtual “Who’s Who” of the greatest jazz, blues and R&B giantsin the industry. Consequently, he has often been hailed as a “Legend,” a “Living Musical Icon,” and as the most creative jazz organist by a slew of music publications. Jazz Times magazine describes him as “a riddle wrapped in an enigma wrapped in a turban!” Always ahead of the curve, it is no surprise Dr. Smith’s fan-base is truly worldwide.
Born in Buffalo, New York, Lonnie was blessed with the gift of music. Through hismother, he was immersed in gospel, blues and jazz at an early age. In his teens, hesang in several vocal groups including his own–the Supremes–formed long beforeMotown’s eventual iconic act of the same name. Lonnie also played trumpet and other instruments at school and was a featured soloist. In the late ‘50s– with the encouragement of Art Kubera, who owned a local music store that he would visitdaily–young Lonnie was given the opportunity to learn how to play a Hammond organ. By completely immersing himself in the records of organists such as Wild Bill Davis, Bill Doggett and Jimmy Smith, as well as paying rapt attention to thechurch organ, a young Lonnie began to ﬁnd his musical voice. “Even though I didn’t know how, I was able to play right from the beginning,” Dr. Smith reﬂects. “I learned how to work the stops and that was it. It’s a passion for me, so everything else came naturally.” Because of Mr. Kubera’s kindness, Dr. Lonnieoften refers to Art as his “angel.”
The Doctor’s ﬁrst gigs were at Buffalo’s hottest jazz club, the Pine Grill, where herapidly garnered the attention of folks like Jack McDuff, Lou Donaldson, GeorgeBenson and the booking agent Jimmy Boyd. George Benson was looking for an organist for his quartet and enlisted Lonnie. The group soon relocated to New York City, where they quickly established a reputation as innovators in Harlem clubs and throughout the area. After appearing on several Benson albums, Lonnie went on to make his ﬁrst recording as a leader—Finger Lickin’ Good–for Columbia Records in 1966. Shortly thereafter, Smith was scooped up to record by saxophonist Lou Donaldson, for whom Lonnie would appear on several epic Blue Note LPs, including the million-seller, Alligator Boogaloo. Blue Note clearly liked what they heard and inked the organist to his own recording contract, a deal which would produce the soul jazz classics Think!, Turning Point, Move Your Hand, Drives and Live at Club Mozambique (released many years later).
Since leaving the Blue Note stable in the ‘70s, Dr. Smith has recorded for a slew of record labels, including Kudu, Groove Merchant, T.K., Scufﬂin’, Criss Cross and Palmetto, ascending the charts many times. His unpredictable, insatiable musicaltaste illustrates that no genre is safe, as Lonnie has recorded everything fromcovers of the Beatles, the Stylistics and the Eurythmics, to tribute albums of JimiHendrix, John Coltrane and Beck–all by employing ensembles ranging from a trio to a ﬁfteen-piece big band. Moreover, many of Doc’s recent compositions reﬂectdramatic ethereal qualities and orchestration that elicit movie scores or soundtracks.
Dr. Smith has been amused to ﬁnd himself sampled in rap, dance and housegrooves while being credited as a forefather of acid jazz. When questioned abouthis consistent interest in music some consider outside the jazz “mainstream,” Lonnie shrugs. “Jazz is American Classical,” he proclaims. “And this music is areﬂection of what’s happening at the time… The organ is like the sunlight, rain and thunder…it’s all the worldly sounds to me!”
In 2012, Dr. Smith launched his own record label Pilgrimage Inc., and in 2015, resigned with the iconic Blue Note Records label. Dr. Lonnie Smith’s latest CD hasbeen released on Blue Note. (2016)
Many awards have followed since 1969, when Downbeat magazine named Dr. Lonnie Smith “Top Organist” of the year. 2003-2014 he was awarded “Organist/Keyboardist of the Year” by the Jazz Journalist Association. The Buffalo MusicHall of Fame and Jazz Organ Fellowship have also inducted Dr. Lonnie, and in 2015 he received the Village Music Legends Award. He is scheduled to receive theNEA Jazz Masters Award, the highest honor in jazz, on April 3, 2017.